Our friends over at Moviefone got the always-fun idea of doing a piece on "pre-fame stars who appeared in horror flicks." But when I checked the feature out, I was happily surprised to note that their piece was a QUIZ and not a full article. Which means they just gave me a great idea to steal! (Thanks guys!) But definitely go enjoy the quiz first, because the following list might spoil some of the answers for you. Actually, it definitely will.

Of course there are the biggies: Kevin Bacon in Friday the 13th, Johnny Depp in A Nightmare on Elm Street, Jamie Lee Curtis in Halloween, The Fog, Prom Night, Road Games, Terror Train, and Halloween 2. And who can forget Jennifer Aniston battling the loopy Leprechaun? And of course Matthew McConaughey and Renee Zellweger in a Chainsaw sequel so bad they tried to get it impounded. But let's start out with the big horror franchises and see who else we can dig up.

As is often the case with the translation of any geek property to the screen, this Friday's release of Max Payne seems to elicit just as many hopes and doubts as one would expect from a big-screen adaptation of a popular video game (well, one not directed by Uwe Boll, that is). So, coming from a position of relative ignorance when it comes to most titles (trust me, my PS2 gathers more dust than yours does), what's the current reading from fans on a film proudly rated PG-13, although based on a series of M-rated games?

And for which upcoming projects are you most hopeful: Halo -- that is, with or without Peter Jackson? Gore Verbinski's BioShock? Jerry Bruckheimer's Prince of Persia: The Sands of Time? (And just when is The Rock's Spy Hunter coming out anyway? Do you care?) (Should I?)

As for my fellow ignorati: does this look to you like an appealing action movie regardless? Which video-game movies worked best despite your lack of familiarity with the source material? My vote goes to the first Resident Evil, with some moderate supporting love going to Silent Hill and Final Fantasy: The Spirits Within -- no great blasphemy intended.

Oh, and just to keep things jumping, any thoughts on the following titles, or any left out, are more than welcome: DOA: Dead or Alive, Doom, Double Dragon, Hitman, the Mortal Kombat films, Street Fighter, Super Mario Brothers, the Tomb Raider franchise, Wing Commander.

This is a follow-up of sorts to my piece on Mikael Hafstrøm's adaptation of Stephen King's 1408. If you're interested, you should check that out. There, I half-marveled at and half-lamented the fact that the film managed to transform 1408 from a spectacularly scary, quasi-Lovecraftian horror tale into a personal, abstract meditation on grief and loss. In effect, the movie transplanted the story from the conceptual, hard-horror half of King's ouvre (think Cell and From a Buick 8) to the character-driven half (Lisey's Story, Bag of Bones). It was still a good film, but it needed someone who understood the existential terror that King is so good at evoking: a glimpse of something so alien, so divorced from the world we know, that it is simply beyond our comprehension. That's scary. Give me a movie like that.

At the time I wrote that post, such a film already existed. I suspected that this was the case, but I hadn't read the source material, and so couldn't validly make the comparison. Now I can: Frank Darabont's The Mist understands the sort of paralyzing, staring-into-the-abyss horror that King does so well. Even more impressive: not only does it brilliantly translate that aspect of the novella to the screen, it – like 1408 – fleshes out dimensions that the author barely implied. I knew I loved the film when I saw it, but only now do I understand how accomplished it really is.

With J.C.V.D. charming audiences everywhere and making the unlucky of us foam at the mouth to see it, the big question has become: Would this be the start of a great career twist, or a charming, but fleeting, aberration for Jean Claude Van Damme? Rather than taking it step by step, the dude has jumped head first into the deep end -- next up will be Van Damme's labor of love, Full Love, which he wrote, produced, directed, and stars in. It's supposed to be a personal story, but is currently all hush-hush. But now we've at least got a peek inside, courtesy of Twitch. They've posted five images from the film, including the thumbnail to the right. It doesn't show much, but one thing that's definitely not there -- JCVD splits.

Turning from possible success to definite success -- CNN reports that Tim Robbins has nabbed himself a star on Hollywood's Walk of Fame. In the ceremony last week, the actor said: "I used to take the bus from here to Burbank to go to work. When the bus was late, I would walk up and down and throw my cigarettes down. Now I have the honor of having this done to my star."

Meanwhile, if you've dug the tunes coming out of Repo! The Genetic Opera, Horror-Movies.ca reports that the film's soundtrack will be up for free for one day only, today the 13th, on the flick's official website. Go now!

And one last nibblet: Variety reports that Mark Waters, director of films like The House of Yes, Mean Girls, and The Spiderwick Chronicles, is heading to TV to helm the pilot Eva Adams. Adapted from the Argentinian telenova Lalola, the series will follow a womanizer who gets turned into a woman and must endure what he used to dole out.

To an old-school horror fanatic, this is pretty big news. To the rest of you, it's a bunch of babble with the word "cannibals" tossed in near the end. But remember a few weeks back when we talked about how Jack Ketchum's Offspring was about to become a movie, despite the fact that the novel was actually Part 2 to a novel called Off Season? I not-so-cleverly assumed that the rights to Off Season belonged to someone else, and also that Offspring could easily stand as a non-sequel story.

Apparently those Off Season rights did reside elsewhere, because Shock announces that not only is Off Season going to become a movie, but also that Eric Red will be directing it. Genre fans will know Mr. Red's name from films like The Hitcher, Near Dark, Body Parts, Bad Moon, and the upcoming 100 Feet, but apparently he and Jack are old pals, so the project makes sense to me. (No word on if / how the Offspring movie will relate to the Off Season film, but who knows when the flicks will even be finished?)

Off Season still ranks as my favorite among Mr. Ketchum's books. It's a full-bore survival horror tale that was inspired by "the Sawney Bean legend and horror/siege flicks such as The Hills Have Eyes and Assault on Precinct 13." And yes, it deals with cannibals. We'll assume that Red will also be on adaptation duty, but it's probably a little too early in the process to worry about such things. In the meantime, go read Off Season. And then Offspring.

UPDATE: Screenwriter Nick Koff dropped us an email to let us know that, yep, it's his adaptation that Red will be directing. More info is available at Bloody-Disgusting.com.

(NOTE: I hate that the anonymity afforded to us on the internet allows certain people to become ugly, hate-filled trolls, but it does happen from time to time. As such, I've closed the comments on this thread.)

All Hallow's Eve is approaching once again, and my favorite part of the holiday is all the corresponding movies that turn up on television and in theaters. October is already over a week old, so it's time to get into a Halloween frame of mind.

The Unborn
When I last saw Odette Yustman she was one of several New Yorkers fleeing for her life from a large beastie with nasty pointy teeth in Cloverfield. The Unborn has her facing a different kind of evil, specifically the spirit of her twin brother who died in the womb, or perhaps it's an evil entity that hoped to enter the world through him (it's a little hard to tell). There are some nightmarish visuals on display here, and the crawling thing with its head twisted around both sticks with me and makes me wonder if it's an homage to the spider walk scene in The Exorcist. The often cool Gary Oldman also stars and the film is written and directed by David S. Goyer, so I think there's something good and creepy here.

Just Buried
Not a horror flim this one, but rather an extremely dark comedy. Jay Baruchel (who I will always remember as the Led Zeppelin loving nerd from Almost Famous) plays a young man named Oliver who has inherited a funeral home troubled by a fierce competitor and a lack of business. The plucky young female mortician in his employ insists he can't shut down the funeral parlor and the two embark upon a path to drum up business and squash the competition by causing a few untimely deaths. Could be a nice slice of morbid fun here. Check out Scott's review of the film.

The Uninvited
A young woman returns home from a stint at a mental hospital following her mother's untimely death, to find that her father has a new girlfriend (Elizabeth Banks). There's also a ghost who is apparently trying to tell our former mental patient heroine that the girlfriend killed the last family she lived with. This is a much darker role than I'm used to seeing Banks play, and she seems to handle it well. This is a remake of a South Korean film called A Tale of Two Sisters (Janghwa, Hongryeon) which was once recommended to me but has languished in my Netflix queue for several years. The trailer has some creepy moments and I'll probably check this one out. Here's Eric Snider's take on the trailer.

Let the Right One In
If you're going to attempt a vampire movie these days then you damn well better do something different with the idea, and it looks like the people behind this Swedish bloodsucker opus are clear on that concept. A bullied 12 year old boy finds both friendship and a tool for revenge in his new girlfriend who happens to be a vampire. Scott caught this one at Tribeca and penned a pretty strong recommendation, and the flick will be playing on October 24 in New York City. Sadly, the rest of us are going to have to wait for the eventual DVD release.

House
No, it's neither that 80s horror flick starring William Katt or that doctor show on the Fox Network. This House is a horror flick in which two couples find themselves trapped in a remote house and stalked by a lunatic calling himself the Tin Man. This one seems to meld classic slasher stuff with elements of slaughterfests like Hostel and Saw, none of which really appeals to me, and the cast isn't particularly interesting. I think I'll let this one slide.

New this week on AOL Moviefone:

• Paul Blart: Mall Cop - Kevin James plays a man who finally gets his dream job as a working in mall security. Check out the trailer right here:
  
  
  
• The International - Clive Owen plays an interpol agent targeting corruption in the world's largest banking institutions.
• Passengers -Anne Hathaway stars as a grief counselor who suspects foul play when the plane crash survivors she is working with begin to disappear.
• Valkyrie - Tom Hanks Cruise stars in this historical drama about a plot to assassinate Hitler.
• Fears of the Dark - Animated horror anthology. Here's the preview:
  
  
  
• Bedtime Stories - Adam Sandler is a Dad who finds the bedtime stories he's been telling his kids are becoming reality.
• Notorious - Biopic of rap star Notorious B.I.G.
• The Pleasure of Being Robbed - Indie film about a young woman and her elaborate acts of theft.
• I've Loved You So Long - A woman returns to her family after fifteen years in prison.
• Hank and Mike - Two recently fired Easter Bunnies find that changing careers is tougher than they thought.
• Talento De Barrio - A Puerto Rican youth must choose between a life of crime and musical supestardom.

I tried to get the YouTube version embedded up in here, but it looks like it's been yanked down -- which means you're better off going through the official Twilight website, which will direct you to the appropriate social networking site. Because what's more social than sitting in a quiet movie theater for two hours?

I tried to check out the trailer for myself, but between the always-twitchy MySpace and the various "blockers" I have installed on my browser ... it just didn't happen. So I'll leave it to those hardcore fans who already love the film (despite the fact that it doesn't open until the end of next month) to tell me how this new promo clip rates on the omg-O-meter. Also available at the official site is your chance to win an autographed Twilight baseball, which seems kinda silly because they should be giving away bats.

(Actually, skip the MySpaz site altogether. Watch the trailer in wonderfully diminutive "widget" style right here.)

As far as Hollywood's reliably tepid horror output is concerned, Quarantine works as every bit the disposable jolt dispenser it's assembled to be. It's got a nifty enough concept in its favor and a mildly recognizable cast that needs not fear any characterization coming between them and certain death by the time the credits roll, and it's hard to believe that there's not at least one sequence in here that might get even the most cynical horror fan's heart rate to rise a beat or two -- and I say this as a documented fan of the (still superior) source material.

Young news reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are covering a Los Angeles fire station during their nightly routines when the two tag along on an emergency call to an apartment building. Not terribly long after their arrival, all hell breaks loose and the building's occupants -- Angela included -- find themselves contained within against their will and left to fend off a dangerous virus that causes the infected to become a rabid zombie variant, one aggressively determined to spread the love around.

Despite having previously established my feelings about this weekend's Quarantine, I must confess a new willingness to give it a fair shot later tonight. Regardless, this week's Cinematical Seven is all about first-person horror movies, with a couple of oh-so-subjective stipulations:

• We're leaving The Blair Witch Project (1999) out of this. It might not have been the first of these movies, but it was undeniably the most successful and influential. There are only seven slots here, and I feel like everyone has already made clear whether they find this scary or just stupid (I fall in the former grouping, though I say this having not seen the flick since my teens). If you still feel the need to take BWP to task, comment away.
• Also omitted will be The Last Broadcast (1998), which drew mild controversy at the time of its release for its similarity to Blair Witch. I'm only not writing about it because the copy of it sitting just over on my shelf here has remained unwatched. My bad.
• The previous film by the guys behind Quarantine is The Poughkeepsie Tapes (2007), which -- being in the hands of the Weinsteins -- has not yet seen the light of day beyond a couple of festivals. Having not attended any of said festivals myself, I'll just sit here and guess that it'll get dumped to DVD (probably under the Dimension Extreme label), and not any earlier than next year at that.

Now, on with the list...