Elisabeth Rappe
Denver, Colorado - http://
Hold up your badge. That's how they know you're a policeman.
Another A-Team Cameo Confirmed: Dirk Benedict
Filed under: Action, Casting, RumorMonger, Fandom, 20th Century Fox, Newsstand, Remakes and Sequels
Just a few weeks ago, Peter Hall brought you the news that Dwight Schultz, aka the original Howlin' Mad Murdock, had earned a cameo in Joe Carnahan's remake of The A-Team. Obviously, you can't invite Schultz and not invite the rest of the surviving team, and it seems Faceman will also be getting some facetime. According to Dirk Benedict Central, Dirk Benedict will also be appearing in the film in an unspecified role. Remember when this kind of thing stayed secret? I'm not losing sleep over the production of The A-Team or anything, but it makes me nostalgic for the days down the long haul and into history back when you didn't know anything about secret cameos until you were in the dark theater. Then you could nudge whoever you were with and say "Oh my gosh! That's Dirk Benedict! Ha ha!" If you had your head bitten off when you started blabbing about the Zombieland cameo, this is the reason why. People like surprise cameos!
So, who do you think Benedict will be? Bradley Cooper's father? Someone helpful they meet along the way? One of the commanding officers coordinating the task force that's hunting them down? Or will Schultz, Benedict and Mr. T (you know he'll be the next one confirmed) all have a scene together where they hand over keys to the iconic van?
The Geek Beat: Color Blind
Filed under: The Geek Beat
Less than a week ago, Kenneth Branagh's Thor took a surprising turn with its casting. Idris Elba was cast as Heimdall, the all-seeing and knowing god who guards the city gates of Asgard. A mere week earlier, Tadanobu Asano was cast as Hogun the Grim, one of the steadfast Warriors Three. Both choices caused a bit of stunned silence among the great geek forums, and some verbally protested the casting as being heavy handed and politically correct. Asgard is a Nordic pantheon, after all, and everyone residing in it should be white. Very white.
Now, I can understand the reaction. Casting other ethnicities can often be a token and misguided effort, less about the role than about a director wanting to prove they don't recognize a man or woman by their race. That's commendable, but it's often so clumsily done that it's clear that they saw it very, very well. I've argued strenously against that kind of casting. I still remember the shocked looks I earned in a college class when I didn't see anything wrong with the fact that the Lord of the Rings cast was white. I pointed out that Middle Earth was supposed to be a prehistoric England where, unfortunately, no other ethnicites would have existed. Everyone looked at me as though I had started talking about Aryans and the superior race instead of feebly defending the history of Hobbiton. I still stand by my argument, but though I'm willing to defend the "whiteness" of a prehistoric England, its hobbits, and its elves, I don't believe there's any reason to have Asgard be populated only by white Europeans. Fans are confusing Nordic and Marvel mythology, and it's to the detriment of really fantastic casting.
Free Flick of the Day: Hang 'Em High
Filed under: Home Entertainment, Western
After nominating For a Few Dollars More and The Good the Bad and the Ugly for Free Flick of the Day, I'm going to sound like a very old and tired drum by nominating Hang 'Em High. But hey, you need something to watch today and it's just sitting there, waiting for someone to notice it.Hang 'Em High isn't a great film by any means, and it's not a very remarkable Western. It's full of missed opportunities, and the end hints that there may have been plans for a franchise centered around Marshall Jed Cooper. It's notable because it was the first film Clint Eastwood produced with his Malpaso shingle, which he would obviously go onto do great things with. (Would there be an Unforgiven without Hang 'Em High? Probably, but who knows!) It's also his first post-Sergio Leone Western, and one of the first attempts to bring Leone's style to America. It doesn't succeed in doing that very well, though a lot of the Man with No Name's trademarks remained. I think Eastwood sold himself a bit short by relying on that cigar so much, particularly since this is a character who is miles away from the cold bounty hunter of the Leone flicks. Jed Cooper is a man who is genuinely trying to do the right thing in life, and gets screwed over again and again.
However, this film entertaining enough, and is worth watching just for the whole hanging sequence. I've already mentioned this film as the probable inspiration for Lt. Aldo Raine's hanging scar and while I'm still not sure if that's true or not, you can watch it and pretend Cooper is Raine's grandfather.
Watch Hang 'Em High for free on SlashControl
Tommy Lee Jones Ditches Matthew McConaughey's 'Lincoln'
Filed under: Drama, Thrillers, Mystery & Suspense, DIY/Filmmaking, Newsstand
A mere month ago, it seemed like Michael Connelly's The Lincoln Lawyer was set for a top notch adaptation thanks to the arrival of Tommy Lee Jones. Jones was interested in directing and costarring in the film, which gave us all hope that he could help makeover Matthew McConaughey into something serious and shirt wearing. But alas, it's not to be. Variety reports that Jones has departed The Lincoln Lawyer, leaving it idling and spitting fumes.Jones departed for that vague and all-encompassing reason "creative differences." Variety reports that he had issues with John Romano's script, and neither Jones nor Lakeshore Entertainment were willing to budge. The studio is currently on the hunt for a new director, and hopes to be shooting by spring.
So, feel free to speculate on just what script issues there might have been. I know we have some Connelly fans who were looking forward to this, and who know more about the book than I do. Given that it is a star vehicle for McConaughey, and the character is a bit of a legal freewheeler, I wonder if the script is more of a comedic departure from the book. We've cracked a lot of jokes about bongo drums and shirtlessness, but could that actually have been what Jones departed over? It's sleazy and easy to jump to that conclusion, and I can't really believe a Connelly book could be adapted into Fool's Gold. But this is Hollywood. Stranger things have happened.
DreamWorks Puts 'Real Steel' In Their Ring
Filed under: Action, Sci-Fi & Fantasy, Sports, Deals, Paramount, DIY/Filmmaking, Newsstand, Dreamworks, Steven Spielberg
If you held out faint hope that Hugh Jackman wouldn't be helping Shawn Levy box robots, and would abandon it for a feature film adaptation of A Steady Rain, kiss it goodbye now. Variety reports that DreamWorks' Steven Spielberg and Stacey Snider have green-lit Real Steel, making it the studio's first big financial project since it split with Paramount, and had to find its own money.Spielberg was attached to the project as executive producer when it was first announced, and it seems that it's been a real passion project for him. DreamWorks bought the project back in 2005, and it was one of the films they held onto after splitting from Paramount. "When we took it with us, we really highlighted it as something we would put the pedal to metal on," said DreamWorks co-president of production Mark Sourian. "It's a project that Steven always wanted to do. It just came together rapidly after we left Paramount." The film will be made for the relatively low budget of $80 million, and will begin production next June.
With a low budget to avoid Transformers excess, perhaps the magic of Spielberg and Richard Matheson can overcome the kiddie tendencies of Shawn Levy, and turn it into something special. A lot of commenters mentioned that Matheson's story was adapted into an episode of the Twilight Zone called Steel. Happily, it's online and I've embedded it below the jump. It really is a good episode, and while Levy keeps stressing that his Real Steel is grounded in its "father-son relationship," I hope it can retain a bit of Matheson's grit. I could be happy with a robot version of Million Dollar Baby.
What Happened Once Carl's House Took Off In 'Up'?
Filed under: Animation, Comedy, Disney, Shorts, Family Films, Newsstand, Movie Marketing, Trailers and Clips
In all of your viewings of Up, did you ever wonder what happened to the Shady Oaks employees who helplessly watched as Carl floated up, up, and away? Well, wonder no more. Pixar wrote and animated a little short called George and AJ that answers all your questions, and then some. Watch carefully when Carl's house soars over their heads -- you'll see an angle that reveals just where one particular character was hanging on for dear life.
What's really cute about this short is that it isn't just about George and AJ, but what the entire city thought of Carl's flying house. Up never stopped and went back to North America to see if anyone noticed his unusual method of flight (and very wisely, too), but this spin-off deals with some of the ramifications. It's funny and moving, and makes for a bittersweet commentary on just how we deal with the elderly members of our society.
Now, if we can just get a spin-off that tells what Russell's mother thought about her son's prolonged absence. Somehow, I don't think any cell phone he may have had on him could get good reception at Paradise Falls ....
The short is embedded below the jump, and it's just the thing to watch on a dreary Monday. Enjoy!
Chris Weitz Blames New Line For 'The Golden Compass' -- Do You?
Filed under: Sci-Fi & Fantasy, New Line, Celebrities and Controversy, DIY/Filmmaking, Newsstand, Religious, Fan Rant
Now rolling in New Moon millions, Chris Weitz is being more open about his troubles with New Line and The Golden Compass, a film that sank one studio and sent him into a tailspin. Rumors abounded as to what went wrong on that film, and as recently as last week, New York's Page Six was claiming that residual stress was causing him to leave the industry.Weitz denied any such thing to Variety, and announced he was leaving the world of the supernatural behind with his next film, The Gardener. The film centers around a hard working Mexican gardener and his efforts to protect his son, and Weitz will be making it alongside his new best friends forever, Summit Entertainment. His new friendship enabled him to take a parting shot at New Line. Weitz praises Summit and Stephenie Meyer for trusting him with New Moon, an experience that was the polar opposite of the debacle that was The Golden Compass.
Weitz claims that New Line didn't trust him to handle the content of the book, that the film was taken from him in editing. Heavy-handed hacking resulted in losing nearly 30 minutes of footage from the film, and neatly exercised the edgy thrust of Phillip Pullman's book. "It was an utter violation of my status as a director and the worst thing that has happened to me professionally ... I was treated badly, it was almost like they never read the books. They seemed frightened of offending the right." Out of loyalty to the cast and crew, Weitz said he "bit through my tongue" when Compass was released.
As a fan of Pullman's His Dark Materials series, I'd love to see all that missing footage to see if it could salvage Weitz's film, and if New Line really neutered it.
Go below the jump for the rest
Joshua Jackson Flies Away In a 'UFO'
Filed under: Action, Independent, Sci-Fi & Fantasy, Casting, DIY/Filmmaking, Newsstand, Remakes and Sequels
There seems to be a slow and steady drive towards remaking everything that ever appeared on British television. I suppose that's all right (they do have fantastic shows and made-for-television movies in the United Kingdom) but what happens on that dark day when Hollywood runs out of British productions? Yikes. Let's not think about that, and turn instead to the dark version of 1980 that's being remade for the modern viewer, as Variety reports that British favorite UFO is being re-imagined for the big screen. UFO will be helmed by Matthew Gratzner, and will star Joshua Jackson. The British premise for UFO was set in the near future (ten years in their case -- the show aired in 1970 and took place in 1980) where aliens had conquered Earth. Naturally, they didn't do so with altruistic means, but to use us as an organ harvesting ground. Humanity's future lay with SHADO, (Supreme Headquarters Aliens Defense Organization), a covert organization pretending to be a movie studio, who defend against the alien horde. Many have tried to remake UFO and failed, the last evolved into Space: 1999. (I can't find any reference as to V took any inspiration from it. The timing screams that it wasn't a coincidence.)
Jackson will play Paul Foster, a test pilot who joins SHADO. Foster is one of the original characters, and had an interesting little conflict after he became involved with the enemy. Since Gratzner praises his ability to show Foster's "inner conflict," the movie will undoubtedly take that and run with it. The movie is aiming to begin filming in the spring.
Serious Scores: 'Aguirre: The Wrath of God'
Filed under: Music & Musicals, Fandom
We're doing something crazy, and launching another little series here on Cinematical: Serious Scores. You're a smart bunch, so I imagine you've already figured out that the goal isn't to highlight our favorite bank heists, but to praise the creme de la creme of cinema's soundtracks. Hopefully, you'll find something new for your iPod, rediscover a lost favorite, or appreciate a piece along with us. Technically, Werner Herzog's Aguirre: The Wrath of God doesn't have an official soundtrack. The entire score was recorded by the German progressive band Popol Vuh (the first of many collaborations they did with Herzog), and was released as an album in 1975, with a 2004 re-release. Only two tracks were actually used in the film: Aguirre I and Aguirre II. If you disdain the rest of their Krautrock, the magic of iTunes and Amazon allows you to buy them individually. Now you can put them on a playlist, set them to repeat, and go as mad as Aguirre himself.
Hints of madness aside, Aguirre I and II are pretty incredible pieces of music and were raved about in the 1970s. I think the music is just as powerful today, even if Moog synthesizers seem to have fallen out of favor. It's hypnotic and eerie, and so very evocative of that torpid jungle journey. Never have native panpipes sounded as frantic and terrified. I've embedded Aguirre I below the jump, but I highly recommend spending the $0.99 so you can download it to something hand-held and listen to it in the dark.
Michael Fassbender Goes From One Bronte To the Next
Filed under: Classics, Drama, Independent, Romance, Casting, Mystery & Suspense, Focus Features, Newsstand
The Brontes are all the rage for adaptation right now. It's undoubtedly due to Edward and Bella bestowing their favor on Wuthering Heights, and had they chosen Great Expectations, perhaps we'd see Dickens adaptations flinging themselves to the big screen. I love corsets and cravats, so I'm not going to complain, and I'm certainly not going to whine if Cary Fukunaga gets this cast for Jane Eyre. Variety is reporting that Michael Fassbender and Mia Wasikowska are in talks to play Jane and Rochester for Fukunaga, and oh, how torrid it would be!This is actually the second time Fassbender has circled a Bronte adaptation. Last May, he was said to be in talks for Wuthering Heights, but Ed Westwick stepped into that particular waistcoat. It's a shame. I think Fassbender would have made an excellent Heathcliff, and may have been the first one to actually snarl, bang his head against a tree, and slap people convincingly. But he will make a very simmering Rochester, and is the only actor who could top Toby Stephens' wonderful turn in 2006.
Wasikowska is still a bit of a dark horse. She's becoming one of those much-discussed names, but most of us have yet to really meet her until Tim Burton's Alice in Wonderland hits theaters. She's very pretty, but is just "ordinary" (if that doesn't sound too terrible) enough to fit the part of plain Jane, and as an Aussie, she'll be able to turn on an English accent better than Ellen Page. If this is the Jane Eyre that makes it to the screen, I'll be happy. Let the eerie screams, mysterious fires, and lingering looks commence.
Peter Jackson Says Spielberg's 'Tintin' is Done Filming, but...
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